Mezzo-soprano Elizabeth DeShong has developed a reputation as “one of the most intelligent stage performers of her generation (Opera News).” Lauded equally for her musicianship and commanding stage presence, she has established herself as a regular on concert and operatic stages worldwide.
The 2022-2023 season marks DeShong’s return to San Francisco Opera, where she will debut the role of ‘Octavia’ in the world premiere of John Adams’ “Antony and Cleopatra”. 2023 includes a tour of Handel’s Alcina (Bradamante) with Les Musiciens du Louvre and Marc Minkowski, followed by her Dallas Opera debut as ‘Dorabella’ in Mozart’s “Cosi fan tutte” ...
Desire for a coveted ring begins a mammoth adventure to Valhalla. Gods, dwarves, giants, river nymphs, and dragons scheme and dream of power in Das Rheingold, the influential masterpiece by Richard Wagner that echoes in our popular culture today.
Messiah, HWV 56: No. 6, Air "'But who may abide the day of his coming!" (Mezzo-soprano) · Sir Andrew Davis · Toronto Symphony Orchestra · Elizabeth DeShong
Conductor: Sir Andrew Davis; Orchestra: Toronto Symphony Orchestra; Mezzo Soprano Vocals: Elizabeth DeShong; Composer: George Frideric Handel